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Becky Kendalls evocative Looking Back On How We Came was a lovely ensemble dance to Jon Brions music. Dappled side lighting created a quiet mood for the dancers who repeated spins that ended in low arabesques. At one point the young women stepped across the stage in groups of two or three. They sank into rolls on the floor, stretched one leg out and then gently rose again in a series of beautiful actions.
The dancers stumbled a bit with fake ugg cardy boots how to tell
weak choreography in some works. Karen Grotts Because I Knew You was a heart felt piece that suffered from simplistic fake ugg fake ugg boots made from dogs brands
movements. Heather Bentons expressive, full bodied dancing gave this pale work some grace and depth of emotion.
Carlyn Larsens Jellicle Cats, set to Andrew Lloyd Webbers wonderfully quirky music, bogged down in kinetic sameness. Although the dancers performed well, Webbers Jellicle Cats are far too independent, stubborn and ornery for the repetitive, unison dancing they were stuck with.
DSA is well known for its tap dancing and Jessica Embleys fake ugg sparkle boots Just Swingin By was tailor made for a quartet of sassy girls in electric blue dresses. Clean, sharp rhythms gradually became more complex as the dancers bounced around the stage to the Big Band sounds of Count Basie, Benny Goodman and Harry James. Dancers also hammed it up fake uggs label in Larsens aptly named Fun, with music by John Powell.
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